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Dec. 20th, 2009


[info]toddalcott

Venture Bros: Pinstripes and Poltergeists





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What does the Monarch want?  The Monarch wants what the Monarch has always wanted: he wants to "win" in his arching battle against Dr. Venture.  Never mind that Dr. Venture barely seems to know that the Monarch exists, and gives no thought at all as to his motives or reasoning.  For that matter, never mind that the Monarch hasn't really thought through what it means to "win" against Dr. Venture, or what he'll do after he's "won."  The Monarch wants so badly to "win" against Dr. Venture that he makes a poorly-thought-out alliance with a fellow villain who actually wears a bathing cap with devil-horns on it.  "Faustian bargain" is evidently not a phrase with which the Monarch is familiar.
 

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Dec. 18th, 2009


[info]evandorkin

The Best Comics of 2009...The Best Comics of the Decade...

...are whatever you say they were.
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Dec. 17th, 2009


[info]i_seldom_do

(no subject)

a nice write up and photos of my recent show over at Fecal Face by J.L. Schnabel.
here: "..Audrey Kawasaki @Jonathan Levine.."

Dec. 16th, 2009


[info]evandorkin

News and Notes For Today and Tomorrow

Beasts of Burden was written up in USA TODAY. Jill and I were interviewed for the article, they also ran the cover for #4 and the first three pages as a preview, in case anyone hasn't seen them yet. It's a nice piece, and it says nice things about the series, which is certainly appreciated.

(BTW, #4 isn't supposed to be out today, as the article states. It ships next week. I'm not really sure where the confusion about this came from, the previews running on several sites list the date as today, but Diamond has it listed for the 23rd, and DHC has told me it ships next week.)

Both Sarah and I are scheduled to be on SLG Radio tomorrow, airing on the internet at 5 PM EST. We'll be speaking with host Dan Vado about health insurance and other financial/career issues for cartoonists. For more info, and how to listen in live or via the archives, go here.

It's possible I'll be calling in to SLG Radio tomorrow from a comic shop, as I'll be one of the creators signing at the Comic Book Jones second anniversary event being held here on Satan Island. Signings, a sale, and an after-party for those of drinking age are in the offerings. So, come on down. Or over. Or whatever. It should be fun.

I think that's it. My thanks to those folks who chimed in on the health insurance conversation, especially professionals sharing their experiences and advice. I hope the conversation gave a few people something to think about regarding their own situation and career.

Hope to see some of you HOF faithful at the Jones event tomorrow, otherwise, type to you soon.

Dec. 15th, 2009


[info]urbaniak

Question Time

After the jump, my responses to the ONTD Q&A.

(Cross-posted over there)

Funny you should ask )

Dec. 14th, 2009


[info]toddalcott

Zombie query







So, I've actually gotten into the whole zombie-movie thing lately. I've sat down to watch Quarantine, Night of the Living Dead, both versions of Dawn of the Dead, 28 Days Later and 28 Weeks Later. I've recently seen The Omega Man and I Am Legend and Day of the Dead, not to mention the spooky French movie They Came Back (Les Revenants). Now I'm opening the floor up for suggestions. This is a rich and complex genre. It is both the last genre where pure, unspeakable horror is possible, and, paradoxically, the genre most capable of making broad statements about civilization and its fragility. That is, it is both the dumbest and smartest of genres. I haven't ventured very far outside of acknowledged classics, and barely at all into the realm of low-budget exploitation (the closest I've come to that is Robert Rodriguez's gonzo tribute Planet Terror). I saw one Robert Fulci* (*I mean Lucio Fulci, obviously) movie a long time ago, but otherwise have not seen a foreign language zombie movie and wouldn't know where to start. I ask my strong-stomached readers to recommend their favorites.



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Dec. 13th, 2009


[info]urbaniak

Venture Brothers: Pinstripes & Poltergeists



Last episode of the first half of Season Four tonight at midnight. Season Four back eight premieres in the spring. Got it?


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[info]i_seldom_do

'Hajimari - a prelude'


my 'Hajimari' solo show opened last night at Jonathan Levine Gallery in NY.
Thankyou to everyone who came out! it was a pleasure meeting all of you.
i thankyou so much for such a wonderful night! :D

images of all pieces here.
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~and tons of opening night photos over at Arrested Motion HERE.~

Dec. 12th, 2009


[info]evandorkin

A Few Things About Cartooning, Insurance, and Money

I'm posting this because of the recent Time video piece on insurance that featured an interview with cartoonist Julia Wertz, creator of Fart party. The interview can be seen here. Insurance is, as I'm sure you're all well aware of, a hot-button issue right now (as it has been in the past, and as it might be forever), and insurance has been a topic of much debate and consternation here in our household.

Sarah and I have spent most of our time together uninsured. Knowing we were dodging bullets and tempting fate, trusting to our then-good health, for well over a decade we did what we did and went where we went without carrying health insurance. Most other folks we knew that made comics were similarly uninsured, unless they had a day job with benefits, a spouse with benefits, or some other arrangement. Some fortunate folks come from well-to-do families and got a boost from that, there's a few trust fund cartoonists out there somewhere. You'd be surprised how many cartoonists have a good gig or a solid financial background in the household that provides benefits so they can continue to scratch out their comics and cartoons.

I'm not knocking that, don't get me wrong, bless 'em and all the best, it's what we should all have if possible. I'm just pointing something out here that a lot of young cartoonists don't think about: many NYC-area and big city area cartoonists who are not pounding out Marvel or DC material are insured and semi-stable because of factors that do not involve their cartooning. A husband or wife is teaching or has a good position in an office, and they are both covered, and said creator can continue to cartoon in the big town. They can maintain a Manhattan or Brooklyn or Hoboken apartment, a city lifestyle of some sort, and perhaps even start a family.

We had to finally bite the bullet and face facts when we decided to have a child, and we were able to swing insurance through the then-new Freelancer's Union. Last year the Freelancer's Union royally screwed everyone with a policy under them by giving them two weeks to remain with them -- with increases and policy changes -- or jump ship. Two weeks to parse the NYC insurance landscape, in a bad economy, was a god-damned nightmare, especially when other insurance companies started dumping New Yorker's home policies (and other policy shenanigans flared up, all at the same time, in our case. Eff you very much, Freelancer's Union). Fortunately, Sarah is a smart person and she got us on a new policy we can...well, grapple with and maintain. I won't get into that aspect of our current situation, that's ten posts of ten thousand angry and scared words about cost, performance, available physicians, red tape, paperwork, phone calls, anxiety, misinformation, bullshit, etc. And we know a lot of folks have it worse.

Anyway, back to the Time piece and Julia Wertz's situation. First off, it's a Time piece, so, there's been editing, and who knows what else might have been said. Going from the piece, Julia Wertz says she lives in Brooklyn, makes $1200 a month, her rent is $900, and she cannot find insurance. She has lupus, a disease that requires treatment. She has racked up at least three grand in medical bills, it seems likely that amount will increase, she also talks about fund raising efforts to help pay those bills. She discusses her predicament in her comics, and makes asides in a strip about how she she should probably move to Canada, and how she knows her decisions as a young person dealing with health issues and insurance are "so stupid yet so common".

The immediate snarky response, posted by several people on the Youtube thread, is that she should move the hell out of Brooklyn. Okay, yeah, maybe she should. I thought the same thing, to be perfectly honest, and it's not the first time I've heard about a cartoonist with a great address but a not-so-great income -- we know people and have friends who live on the financial edge, or have fallen off the edge, just so they can stay in New York City. I'm sure this occurs in San Francisco, L.A., Chicago, et al. Those places are expensive to live in, we all know that. The desire to remain in an expensive city and be a part of the arts community has drained the resources of many a cartoonist (musician, poet, writer, painter, et al), and it's hard to leave a place you love, or are at least are in like with, or see as a place of purpose. Get a roommate, there's another thought, of course. Get a day job. Be more pragmatic. You can say these things, but we all make our choices for whatever reasons. I'm still in the NYC area because I was born here, have spent 44 years here, have friends here, and bought a house here. Even so, I doubt we're staying much longer. It's an expensive town, and we're not kids, and it's not as fun or compelling a location as it used to be for a number of reasons. And insurance costs are a large part of this equation. Of course, everyone's mileage and situation varies, but you can be a semi-hermit drawing goofy pictures anywhere in the world, and it's not like NYC will disappear, the food will taste just as good on a visit back to Bloomberg's Upscale Mall of New York.

Anyway, let's forget that. If you're going to stay in NYC, or wherever, then the insurance issue needs to be grappled with more squarely.

Now, I'm no insurance expert, I'm a slug who shrivels up at the merest whiff of these sorts of things. Sarah's the brains of this outfit and has done all the Archie Goodwin-like legwork on this subject in regards to our situation, past and present. Wertz talks about making too much money to qualify for Medicaid, but she doesn't mention Family Health Plus or Healthy New York. You can make more than she does, more than you'd think, and qualify for these programs. Sarah has done the research on this, when we needed to know every possible option in front of us, as well as checking on a few things for friends of ours.

Anyway, here's some information Sarah forwarded to me from her computer that might help folks who are in NYC and are having trouble with this. Every state has similar programs, often with this three-tiered system:


- There are three levels of coverage, Medicaid; then if you make too much for that Family Health Plus; then if you make even more, Healthy NY.

- People should start here, and don't bother with the online qualification tests, you need to see an enroller (see below).
http://www.health.state.ny.us/nysdoh/fhplus/

- Here's how to find enrollers for the whole state:
http://www.health.state.ny.us/nysdoh/fhplus/where.htm

- They will check your documents against the rules and can enroll you in any of the three plans if you qualify. If you have a kid, there is also Child Health Plus which almost any kid under 19 can get into if you don't have coverage through a job.


Also, NY State has "groups of one", if you are legally self-employed you can buy into a group policy, no pre-existing conditions can be considered, that's what we're on, through Atlantis. They have to sell you a policy, it's easier to go through a broker, which is what Sarah did. This doesn't mean you can necessarily afford it, it's cheaper, but not "cheap". Some other states have this set-up, not many, though. And it can be a lot cheaper outside NY (like most everything else).

Obviously folks should check this out for themselves, and see what shakes out. I don't talk to a painter about life insurance as my prime source, why should you trust a cartoonist about an important life issue? Especially one like me? Exactly, you don't. You research a script, you reference a drawing, why not research your health and life? (easy for me to say, since my partner did all the work, but still...)

I'm not judging anyone, here I'm a Mistake King first-class and I have made a lot of dumb choices myself over the years. When I was in my 20's, I worked for Jim Hanley's Universe, I was a manager and I had coverage. I never used it. Even when I had a big piece of glass go through my hand, my drawing hand. And it repeatedly opened up and soaked my bedsheets with blood. Why? Because I was young, and I was invulnerable, and I wanted to see my girlfriend that night and not see a stupid doctor and the stupid hand will heal and I'm busy this week going out and screwing around and it only hurts a little now, what can happen. I went to the doctor a week too late, and my hand has hurt ever since. My drawing hand, So stupid, so common, as Julia Wertz wrote. Ms Wertz has lupus, however, and Sarah knows someone who died because of that malady, so, y'know...this shit's important to stay on top of and deal with. Not lecturing, honest. But what we do in our youth affects our later life, and later life is a long god-damned time, fingers crossed (I want to make stupid comics for a long time, and my hand is a disaster, and my neck went untreated for years...and my back...)

Last bit -- we don't like to discuss money, not only in comics (what's to discuss --? oh, ha ha) but in most professions. But we should be talking insurance, because comics is ass-backwards and we've never had unions or safety nets for freelancers. Those who "have" don't always seem to be the folks looking to help others, those who "haven't" are so busy trying to keep their shit together they can't find the time to help others or even help themselves. Sarah and I have discussed the need for a clearing house for information regarding health insurance options in the country for cartoonists (her idea), with contact information, and perhaps personal anecdotes and tips to help people out. A resource sort of like Tom Spurgeon's "local scene" list, only about trying to find coverage options and information specific to each area. Only, um, we can't even begin to compile something like that. It's a lot of work, and a lot of time, that we, like most folks, don't have. If I recall correctly Colleen Doran has written about insurance on her blog a number of time, I'm sure others have as well. This post is a small effort to contribute to the conversation, and perhaps some of you have some tips or concrete information you can post here in the comments section.

And all the best to Julia Wertz who is a funny cartoonist. I don't know her, I only know her work, and I feel weird mentioning her so often here, but the Time piece is what sparked this post off. Anyway, I wish her the best with her medical situation and her comics. If nothing else, folks who see the piece and like the comics should buy some. We all need some more funny comics in our lives.

Okay, that's it. I'm uncomfortable discussing "real life issues" instead of back issues, it's grown up and depressing and makes my stomach hurt. But I do hope this offers something of use to someone somewhere and I haven't goofed up any of the information anywhere.

[info]urbaniak

Ask Skeeves

I've cracked the big time.


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[info]toddalcott

Venture Bros: The Better Man





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What does Dr. Orpheus want? Dr. Orpheus has brought his Triad to some sort of desecrated cathedral, to stop Torrid from opening a portal to Hell. When The Outrider, Orpheus's romantic rival, steals Orpheus's thunder and takes care of the Hell-portal problem, Orpheus wants to prove to his ex-wife (or maybe only himself) that he is a "better man" than the Outrider.

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Dec. 10th, 2009


[info]evandorkin

More Me For You

I'll once again be on SLG Radio later today (5 PM EST) along with Christopher Butcher, he of Comics 212/The Beguiling/TCAF, etc. Looks like Chris and Dan Vado will be discussing the recent mini-flap over children's comics and the adult children who have been whining about them. I will add to the discussion by adding nothing to the discussion. Listen live or hear the archive after the fact here.

Later tonight, I'll be doing something or other at Socko Jones' Tailgate party at Comic Book Jones here on Satan Island, NYC.

Next week, Comic Book Jones is having their 2-year anniversary celebration, and I'll be doing shaky sketches and signing flimsy funnybooks there along with Alex Robinson, Brian J.L. Glass and others. Should be fun. I'm hoping I might have an advance copy of Beasts of Burden #4 to show off. Probably not. We'll see.

While I'm here, I'll be a guest at the first-ever NESPA event which will be held in July of next year in Warwick, Rhode Island. NESPA stands for New England Small Press Assembly, btw. It's not a Cthulhu thing. I hope.

And speaking of 2010, and of TCAF, Sarah and I are working on the very distinct possibility of our attending TCAF next May. Fingers crossed. I really loved the show and we both dug Toronto (Emily liked it, too) and hope we can make it happen.

Dec. 9th, 2009


[info]urbaniak

New media saturation!

I started a Funny or Die account. If I get enough "funny" votes I get to star in the next Judd Apatow movie. I think that's how it works.


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[info]i_seldom_do

in progress.


some in-progress teaser pics of my 'Hajimari' solo show
coming up at Jonathan Levine Gallery in NY this coming Saturday.

will post full images of all pieces after opening night happens. ;)
..click.. )

[info]toddalcott

Venture Bros: Self-Medication






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"Self-Medication," in a way, removes all the subtext from The Venture Bros: this is a show about child abuse, plain and simple. Rusty was abused by his father, everyone in Rusty's therapy group was either abused by their fathers or father-figures (even Ro-Boy reserves his rage for "big robots"), Rusty abuses his own children by putting them in the care of a pedophile. "Boy adventure" almost becomes a code-word for trauma suffered at the hands of an abusive father. The group therapist, quite eloquently, considering, explains that his patients' behavior is what they do to keep themselves from dealing with their real problems -- they are obsessed with their "boy adventures" because they can't deal with the fact that they're all abused children. As long as they can solve one more mystery, defeat one more bad guy, escape one more trap, they won't have to face up to the horror of their existence: they were all abused, molested and neglected by their fathers.

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[info]toddalcott

Musical note

The "best of decade" lists are out. I note that I own four of the titles on The Onion's list, and eighteen of the titles on Rolling Stone's list.

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Dec. 8th, 2009


[info]evandorkin

What Did You Like In 2009?

I needed some sort of LJ entry to call the Absorbing Man commentary closed. It was fun, and we'll do more of that sort of thing when time allows, but I had to finally leave the bar and go home, if you know what I mean.

That being said --one interesting thing I noticed in the previous discussion (besides how many of you know a lot about Carl "Crusher" Creel, The Absorbing Man (tm)) -- in all the comments made, not one person, as far as I can recall, made any mention of the drawing I posted. I point this out not to goad anyone into giving praise or an opinion on the drawing (especially if it's along the lines of, "it stinks") but because it's a good illustration of an aspect of my career that used to bother me a lot, and doesn't so much now. Basically, my writing often merits a response of some sort, my drawing does not, or rarely does. Let me stress that I'm gratified anything I put out there gets some sort of response out of folks out there. Secondly, I'm not a creator who issues art books or sketchbooks or puts out prints, I know what I am and I know what my drawings look like, I know what my art sells for (or doesn't sell for), and I know where I stand in the scheme of things, cartooning-wise. I've also learned to deal with the fact that humor cartoonists often are perceived as either funny or not funny, and that's pretty much the extent of the feedback unless you are a super-sharp, important satirist like Feiffer (he's funny), or a super-skilled draftsman, like, well, I'd offer up Richard Thompson as a modern example (and he's funny). it's just something that really struck me on this occasion and I felt like discussing it. So, this honestly isn't a cry for attention, or for a pep talk, I'm in a good mood (except for a headache and anxiety over finances, but otherwise, yeah, I really am) and I like the drawing just fine and am glad the last post entertained a bunch of people, myself included. I wish I had time to finish my Mole Man drawing, or the damned Mad Thinker and his Awesome Android piece that I never quite nailed down some months back. Among the several others I started and had to toss in a pile. I will, though, and we'll talk.

In the meantime -- this shit year's almost over, and this shit decade's almost over. Yay. Feel free to toss out the names of some comics you enjoyed this past year. I'm so backed up my list would be somewhat dated (I'm a year or three behind on a lot of stuff: I just read Paris, by Andi Watson and Simon Gane and really liked it, ditto The War at Ellesmere by Faith Erin Hicks, both from my home publisher, SLG. I just picked up the Doug Wright book in April while doing a signing at Bergen Street Comics. I finally read The Rabbi's Cat this year, borrowed from the library --it's great, btw -- just finally catching up with Richard Thompson's great Cul De Sac strip). I loved The Toon Treasury of Children's Comics. Popeye vol 4 just dropped, essential. Hellboy Library vol 3, beautiful stuff. I liked The Simpsons #50 by Sergio Aragones. I mainly read books I get from publishers I'm working for. I admit it. Haven't read Asterios Polyp, it's on a shelf. Haven't yet read The Hunter by Darwyn Cooke. Want to read the new Sacco book. Haven't read Love and Rockets vol 2, series 3, chapter 7, or whatever they call it now. I'm behind on various and sundry Gilbert Hernandez books. Haven't picked up the Rex Morgan book. Haven't read this year's Dick Tracy or Little Orphan Annie volumes, they're on a shelf. Fell behind on the Peanuts books. Haven't read A Drifting Life, yet, it's by my bed, along with Blackjack vol 7-8 or 20 or whatever. I'm ignorant of practically every comic on the web, I admit it, I have no bias against the format or delivery mechanism, I just have no time to stay in touch with any web strips, and I also don't love reading comics off my monitor. or any monitor. I get a headache. Especially if the comic has elves.

Oh, I am enjoying the Steve Ditko pre-code collection from FBI, crazy, pulpy, great junky stuff. I read some of the wonked-out Jack Kirby Losers comics in the book DC put out this year. Can't remember anything else off the top of my head, I know I've read and enjoyed more than that. Oh, well, no big deal. This isn't my job, and I'm not a goddamned professional critic. What I remember is what I remember, so screw it. The list stops there.

Anyway, what did you read and like (and remember) in 2009? What did you not like? What did you hate? What did you avoid like the plague, what drove you crazy, what disappointed, what surprised, what are you looking forward to next year in funnybook-land?

I didn't see any 2009 movies or tv shows (other than what we worked on), or read any recent books, or watch any wrestling, or play any new video games or pinball machines (if Stern produced any). I did listen to some music from the last year, but it was all on WFMU.org or on MP3's, and I'd have to hunt around to make a list that was longer than songs by The Electric Six, The Thermals, The Ettes, The Black Hollies (was the Night Marchers CD released last year or this year? The last Ladytron CD --2008? The Knife --that's old, right --?) and that's where my memory quits as far as tunes go.

Okay, your turn:

Dec. 6th, 2009


[info]urbaniak

Venture Brothers: Better Man



New episode tonight at midnight. Keep your enemies closer.


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[info]urbaniak

Internet improved

Holy Dammit Christmas.



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[info]evandorkin

Crusher Creel



Oh, Crusher Creel, Crusher Creel. What's to be made of you? And no, that's not a joke, sort of. I find myself very fond of this perennial Marvel Comics villain-type, this bullet-headed goof known as The Absorbing Man. For those that don't know, and bless you, and why are you reading this blog, and anyway -- for those of you that don't know, this fellow is called The Absorbing Man because he can become what he touches, by absorbing (aha!) the object's properties and then transforming into said item. He likes to walk around as pictured above, sans shirt (aka, "The Haspiel", circa 1990's-2004 or so, I'd have to check on that with El Dino), prison-issue pants (or a disco slacks fail, not sure which), a pair of plain old shoes and...um...oh, yeah, a wrecking ball. Which is one of the reasons I gravitate towards this ruffian, because he carries a goddamned wrecking ball around with him. Mostly so's he can tap the wrecking ball and become a human wrecking ball, entirely made of steel. Or at least his epidermis is steel, I dunno what happens to sweetum's internals and guts and all that when he goes for the ball, or a brick, or a fluffy kitty. And I don't want to know, nobody should give a rat's ass about stuff like that, especially because if you make enough of a fanboy stink (insert joke here) some Marvel nitwit will write a story explaining it and that's a large part of what fucked superhero comics up in the first place.

Anyway.

I also like that he somehow manages to always find the same pair of pants when he breaks out of prison or recombines after yet another inglorious and idiotic defeat at the hands of (insert Marvel superhero or superhero team here). That's a real talent. That and liberating wrecking balls in whatever town you recombine your particulars in. Nice one, Crusher Creel, thumbs up. Don't know why you can't go to Sears and get a goddamned shirt, but I'm here to praise you man, not harp on you. So, yeah, Crusher Creel, aka, The Absorbing Man (I mention this again in honor of Jim Shooter's imbecilic script for the first Secret Wars series, which, iirc, contains the line, "I, Crusher Creel, The Absorbing Man --" as a means to introduce the villain to the teeming masses of fanboys and men who knew the character's goddamn height and weight because they bought the Marvel Universe Handbook issue which featured him. That would be the "A" issue, by the way, also featuring Arnim Zola, who I hope to blather about someday in my old age). Where was I?

Right about...here. So, okay, I don't actually know this guy's origin, shame on me, I hear you saying. And I hang my head in shame, shame, shame, shame on me. Sorry to let you down here. Can't tell you who he first fought (Thor --? Millie the Model--? John Verpooten --?), what issue he first appeared in, if he has a name other than "Crusher", if he buys his pants in bulk and mails them to friends and family all over the country in case he has to recombine his particulars out of state, if his head always looked like that, if he had a toy wrecking ball as a child -- I don't know. I don't even know if he's a 60's villain or a 70's villain, but he always seemed to be around when I was a kid, and he was always one of the meaner bastards in the Marvel Universe. I mean, unhappy, bitter, angry, violent, in effect, the kind of guy who would call himself Crusher Creel and have a wrecking ball for a pal.

I do recall he's been defeated in myriad gimmicky ways, tricked into touching cardboard and folded up (at least I hope he was folded up, I would have folded him up, it would have been funny if he was folded up and slid into a paper envelope and put away somewhere, the envelope marked "Contents - One (1) Absorbing Man. Warning -- Do Not Open. If Accidentally Opened, Do Not Let Him Absorb Anything! Handle With Paper Gloves Only!"), he accidentally touched glass and fell down and broke, he fell or jumped into water and was all watery and nobody knew what the hell to do and they weren't sure if he was dead or a watery Absorbing Man in the ocean and Hawkeye started wondering about whether or not The Absorbing Man's insides turned into steel when he touched his wrecking ball.

I also can't remember exactly how his powers worked, could he avoid absorbing if he gave the situation a little thought, or was he a human paper towel that had to pick up whatever he touched? Seems that way from the earlier stories ("Crap! I momentarily forgot I was fighting The Avengers and picked my nose! Alack and alas, I am shapeless snot, to be picked up by SHIELD and dumped into a super-cylinder prison they had that just happened to be able to keep me in stasis so I don't touch anything." NOTE: This did not actually occur in a Marvel Comic, I was just wishing on a star that passed my window). Seems to me a stupid power, if you can't eat anything without physically turning into your McGriddle or whatever. If you put on gloves, then you're glove stuff. Huh. I could go back and read a bunch of Absorbing Man comics, but I don't think I have any, other than the ones Dean Haspiel and I did a few years back, the ones that were released to the sound of chirping crickets. I put him in there because he's a crazy-ass character and has a neat visual. And he carries a wrecking ball. Day-am!

There's another Marvel villain guy what carries a wrecking ball, a member of The Wrecking Crew, he's called Wrecking Ball or Power Ball or Something- Ball, I don't remember. The Wrecking Crew is a gang of bad guys run by a guy who would be a great partner for Creel -- he's called The Wrecker (Get it? The Wrecker? Wrecking Crew? Hey, it gets better, The Wrecking Crew all carry construction worker tools! It's really kinda cool and awesome if you think about it and then stop thinking about it). The Wrecker is another badass with a lousy attitude, an ugly face, a weird outfit, and an iconic weapon, in this case a Magic Crowbar (I say thee YES!). Anyway, these two Heroclix figures have a lot in common and should team up, if they haven't already. I trust someone will edumicate me on this crucial point of U.S. History (meaning, please feel free tom inform me of any past exploits these two fictitious characters may have had together, in a less tender and caring manner of speaking than most would use). I like the guys that carry an iconic, cool weapon, it's kind of like those martial arts flicks where there's a tournament and everyone brings their crazy cutlery. Scimitars, light-reflecting shield with razor edge, flying guillotine (HOLY YES!). I dig that a lot.

Wrapping Up: I found this drawing while clearing up the office last night, and so here you go. The Absorbing Man. Another in a series of whatever this is a series of. I'd write more, and write more clearly, and perhaps tie everything into my opening sentence like a real writer of essays and crap does, but I'm late for dinner and this is stupid enough as it is.

Good evening, True Believers, wherever you are.

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